Ecobank Nigeria and Soto Gallery successfully hosted the third edition of the +234 Art Fair, which ran from March 5–8 at the Ecobank Pan-African Centre, Victoria Island, Lagos, delivering on its promise of a more inclusive and far-reaching contemporary art platform.
Curated around the theme “Inclusivity,” the 2026 edition expanded opportunities within Nigeria’s art ecosystem. In just a few years, the fair has established itself as one of Lagos’ most important contemporary art platforms, with a distinct focus on emerging and often ungalleried Nigerian artists. It continues to serve as a critical gateway—connecting local talent to collectors, patrons, cultural institutions, and global audiences while strengthening Nigeria’s creative economy.
A defining feature this year was the curatorial team’s extensive nationwide research process. Travelling across more than 15 states, the team identified and engaged artists beyond traditional art centres, reinforcing the fair’s commitment to equitable representation and ensuring diverse regions, backgrounds, and creative contexts were meaningfully included.
Speaking ahead of the fair, Tola Akerele, Founder of Soto Gallery and the +234 Art Fair, said the theme reflects a clear intent to widen representation and reposition visibility within the art space. She noted that exceptional works were already being received from artists who might otherwise lack access to such platforms and encouraged Nigerian artists to seize the opportunity.
Omoboye Odu, Head, SME Partnerships and Collaborations at Ecobank Nigeria, described the fair as a purposeful intervention aimed at reshaping how Nigerian creativity is discovered, supported, and sustained. She emphasised that inclusivity is both a principle and a practice, adding that the fair intentionally broadens access to spotlight talent from new geographies and underrepresented voices.
The event attracted a diverse audience, including art lovers across Nigeria, members of the African diaspora, government officials, policymakers, the diplomatic community, collectors, and global art enthusiasts.
A highlight was the VIP opening, with organisers extending appreciation to sponsors The Balvenie and The Osahon Okunbo Foundation for their support.
