Directed by the innovative Niyi Akinmolayan (Chief Daddy, House of Secrets, Mikolo, The Setup, The Arbitratio, etc.), Lisabi, which is currently streaming on Netflix, is a cinematic venture into the historical depths of the once ferocious Oyo Empire, and it vividly brings to life a period of deep oppression, exploitation, and the rise of rebellion.
Although the plot closely mirrors previous Yoruba historical epics like Jagun Jagun and King of Thieves, where a protagonist rises to free himself or his people from oppression, Lisabi brings a fresh and slightly more enjoyable twist to the familiar narrative.
Plot summary
Based on true events of the 18th century western region, this film unpacks the tyranny of the then Alaafin of Oyo, a ruler known for his immense power and fearful reign, and the tribute collectors who enforce his dominance over smaller towns and cities.

The storyline centres around Lisabi, a skilled military strategist and farmer who witnesses the unspeakable injustice at the hands of a merciless and corrupt head tribute collector (Sangodeyi), whose cruelty surpasses that of his predecessor. This new tribute collector, blinded by greed and impunity, not only takes from the people their hard-earned produce but also assaults and enslaves women. However, what really sends him over the edge is when his friend, Osokenu’s bride-to-be (Abebi), is raped by Sangodeyi on their wedding day. Unable to bear the horror and shame, she commits suicide. Osokenu, in anger, decides to face Sangodeyi himself, which unfortunately leads to his death. These harrowing events taking place on the same day trigger Lisabi’s quest for justice.
Under the guise of increasing tribute production, he rallies the youths of the oppressed communities to work together till he slowly gains their trust and loyalty.
Finally, Lisabi reveals his true motive is for them to come together and fight back, taking a stand against the ruthless tribute collectors and the Alaafin himself.
In a face-off, Lisabi avenges his friend and kills Sangodeyi. The climax leaves viewers on edge, with a cliffhanger as the rebellion appears ready to face the larger powers of the Oyo Empire, hinting at an epic continuation in a potential sequel.

What we love
Akinmolayan’s direction in Lisabi is a triumph of visual storytelling, with stunning cinematography that captures the vast landscapes, the wealth of the then western region, and intense action sequences.
The vibrant and detailed costumes, use of language and proverbs common to the Yorubas, and traditional dances transport the audience through history, offering a rich cultural experience.
The film’s soundscape, full of traditional Yoruba folk music, dirges, and chants, was perhaps one of our favourite aspects of this film and was simply a joy to watch and listen to.
Akinmolayan showcased an impressive attention to detail, with every aspect complementing the visuals perfectly, making the audience feel immersed in the daily lives of the farmers and warriors. Of course we cannot but give accolades to the producers, Lateef Adedimeji, Victoria Akujobi, and Oyebade Adebimpe Adedimeji, whose impact in the movie’s overall production was definitely felt.
The movie’s cast, inclusive of Lateef Adedimeji as Lisabi, Ibrahim Chatta as Sangodeyi, Oyebade Adedimeji as Ikeola, Debo Adedayo as Osokenu, Odunlade Adekola, Jaiye Kuti, Femi Adebayo, Olarotimi Fakunle, Gabriel Afolayan, Jide Awobona, and so many more, were an absolute delight to watch!



Extra special mention to Ibrahim Chatta in the role of Sangodeyi, who delivered an exceptional performance, portraying his character in the most realistic manner possible. He truly made the audience feel the necessary disgust for the character.
Another one of the standout elements of the film is its visual effects. While not yet Hollywood-level, the VFX work reflects Akinmolayan’s growing expertise and ambition with video effects through his Antill Studios, also showing significant progress within Nollywood as a whole. The scenes of combat, the power of the extraterritorial forces introduced to the rebellion, and the final showdown are intensified by this newfound technical prowess.
Reservations
While the movie delivered exceptionally well in many aspects, one thing we could not ignore was how it dragged for a bit in the beginning. While we acknowledge it was important to lay the groundwork for all that was to come, some other aspects of the story could have been spared or rushed through in order to give the action sequences a bit more time. For instance, the final showdown between Lisabi and Sangodeyi was rushed and hardly satisfying for an antagonist that had been built up to be extremely vile and nearly untouchable.

Conclusion
Lisabi blends history, culture, and action in a way that feels both grand and personal. It leaves audiences eagerly anticipating the next chapter, as it’s clear the battle has only just begun, and the impending final confrontation with the Alaafin of Oyo is something to look forward to. Lisabi is a must-watch for anyone interested in African history, Yoruba culture, or tales of rebellion against injustice.
